TIRED OF FIGHTING THE GOOD FIGHT.

And just like that SXSW is upon us again, but before we go ahead and tell you about everything we've got going on down there, we'd like to introduce you to our pick for breakout stardom in Austin this year. Calling it now, in two weeks time, the name on everyone's lips will be that of HAIM. Born and raised in the City of Angels, the sisters Haim sound like the precocious daughters of Stevie Nicks, reared on the '90s sass of Destiny's Child, with the modern bite of Friends. We've had their debut EP Forever on infinite loop since its modest release last month, and the west coast trio are quickly establishing themselves as one of the most promising new bands in the country.

There's not a misstep or weak moment in sight on Forever, but it's the immaculate title track that's truly heatseeking pop at its finest, an understated anthem for a generation. The gloriously percussive intro paves the way for Danielle Haim's tightly knit melodies to stretch out under unshakable palms, as those blissful girl group harmonies (harmonies for days y'all) and a blistering bassline converge to give you a fleeting taste of immortality. When the claps announce themselves in the last gasp final refrain and spring-loaded synths cut through the mix like diamonds, it's clear we've got a band with boundless potential on our hands. A&R's who caught the sisters' lone CMJ play last fall gushed that they were the best live act of the week (and any that missed it lied to their bosses and said the same), so don't get caught sleeping next week. We'll be bringing you two opportunities to see them down in Texas (and in NYC later this spring), so stay tuned and watch this space.

MP3: "Forever" - HAIM

WHEN THE SKY WAS RED.

There's no denying it, Kyla La Grange is here to stay. Don't let her manic pixie dream charm fool you, her songs pack serious emotional heat; visceral knockouts with no pulled punches in sight. "Been Better" is her latest offering, coming off like a statement of intent from La Grange and an exciting preview of what we can expect on her forthcoming debut album, all British folk-rock peppered with a little Americana that tastes like a surprisingly delicious combo of Fleetwood Mac and Aerosmith. The track steamrolls along relentlessly as it's supercharged by Kyla's cathartic self-assurance, which literally pours out of her in the song's epic conclusion. And of course it doesn't hurt that her endearingly smoky pipes reek of Natasha Khan with the fierce bite of Cat Power. If you're into living a life without regrets and happen to be in London on July 12, you should probably find your way to the Lexington to do it up large with our friends at Chess Club for the "Been Better" single release party, big styyyyle.

MP3: "Been Better" - Kyla La Grange [exclusive]

ALONE IN THE DARK.

This band is like a pot of synth gold at the end of the pop rainbow. Gypsy & The Cat are Xavier Bacash and Lionel Towers, two chill bros from Melborne, Oz creating some of the best new soft-pop sounds around. Within the first few seconds of “Jona Vark” I pretty much had a flashforward to singing this chorus at a bus stop in five years time, because This. Song. Sticks. It’s just swimming in a hazy soup of reverbed Fleetwood Mac vocals, acoustic guitars and smooth blasts of synth, and you know how we love a bit of synth. We’re a sucker for the whole blissed-out pop aesthetic Australia seems to have mastered with the likes of Empire of the Sun, Gotye, PNAU and Tim & Jean so when these guys hit our peripherals we were eager to hear more, but as they're still yet to put out an official release, we’ll just have to keep this on single repeat in the meantime.

MP3: "Jona Vark" - Gypsy & The Cat